Goodbye and Thank You: Final Entry
Keep on promoting the good, challenging the bad, and encouraging the insiders who make this stuff and who care enough to make it better. This is how we live as neighbors to each other.
Gratefully,
Sam Read more...
The CCO cares very much about "being good neighbors to the consumer next door." In fact, this tagline here at New Breed of Advertisers was inspired by my work with the CCO over the past 15 years, and also my work with The High Calling over the past four or five years. We care about every provider/consumer relationship, in fact, not just Advertiser and Consumer.
Doctor and Patient, Teacher and Student, Artist and Aficionado. Each one matters.
Since the late 70s, the CCO's flagship conference, Jubilee, has attempted to help college students and young professionals understand those relationships in a way that demonstrates love. Jesus kind of love.
Thousands fill the hotel and ballroom in Pittsburgh for conversations about work and faith. Veterans in a host of vocational fields share their stories—what works, what doesn't, what the Bible says about something like scientific research or accounting.
Navigating our work life is not always easy. It requires discernment, community, mentors, and faithfulness. But we can get the conversation started at least.
I'll be heading back to Jubilee again on February 15-17, 2013, and I hope you'll join me. The world needs more workers who love the consumer next door. Jubilee inspires those workers. Jubilee is a great place to find encouragement as well as perhaps a calling for the first time to something bigger.
Enjoy this playful parody. It's obviously geared toward toward a young audience, though Jubilee has gifts for everyone. Pass it along to those who need to "Sign Up, Maybe?"
Read about how Jubilee has inspired my vocation here.
by Sam Van Eman
Transcript of this recording:
My daughter just entered middle school. It's the age of bullying, the life spell when kids find their way, sort each other out, make decisions about what fits and what doesn't.
Image by Chesi. Used with permission via Flickr. |
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Image by Aitor Escauriaza. Used with permission via Flickr. |
by Sam Van Eman
Transcript of this recording:
Dear Campaign Ad Writers,
You're probably still rejoicing, or mourning, depending on how last night's decision turned out. For months, you've invested time and your best talents to promote your candidate, taking information gathered by others to praise and smear, always in the hope of gaining an edge. Some of your top writing happened this year. You had 30 second spots to work with, billboard dimensions to hem you in, newspaper word counts, footage from archives to paint two pictures, perhaps cameras and lighting crews, a budget, an angle, and a mandate.
You were essential. Your work, done well, could change history, and you knew it.
Regardless of your mood this morning, there is, possibly, a reason for confession. While your project most likely rendered pride, there were times when beneath the celebration of dirt well-placed, even thick skin felt the hesitation of harsh words going public. You cringed. That was your text. Had you paused to feel for a moment, you know the same words could not have been said in person. You are kind at home, for example; a host or hostess who, though opinionated, enjoys good food, laughter, and respectable discussion with company. After pleasant evenings, guests always bid farewell wishing to return.
Public insult, though, from the norms of previous campaigns and from pop culture sources as far from you as American Idol, differentiated your work life. Insult was acceptable there. Harsh criticism thrived in a context where peer pressure affirmed it. In that arena, political aspiration, national attention, and the basic human desire to know that your work matters came together to create a second you. Success in the whirl of election excitement trampled civil discourse underfoot.
For the sake of winning, you sliced an opponent's career into talking points, five and ten words long. You edited, “Oh yeah?! Well you...” and kept everything after.
As the election results wear off, you'll look back on your work. You'll remember that derision isn't you. It wasn't part of your childhood instruction. It wasn't endorsed by the professors who inspired you. It sits uneasily with you now, though you believe it was necessary for victory and for the aversion of perceived dangers that threaten American life.
Words have been your gift. People pay you to compose them just so. They come easily and you wish to use them well, though now you have the growing sense that you've betrayed them.
The good news is that you can be forgiven.
Aligning with your candidate when he says, “I want to congratulate my opponent on a hard fight” does not cover months of slander. Assuming pardon when your candidate says of the loser, “I wish the best for you” does not erase distortion. It does not patch wounds caused by a year of playground antics and bullying.
As life resumes, I hope you find rest. I also hope you'll consider this citizen's request:
Please remember that nations around the world have observed your product and wondered what good exists in such ruthless strikes. Please remember that my children have observed your product and wondered, by way of message approvals, how your candidate's opponent could be such a bad person. Unable to discern adequately, my children assumed your messenger stood alone as the one source of good. (How many of us remain unaware just like them.)
For our sake, and for the sake of decency and respectability, please consider your actions and make amends. Do it this week. Enjoy the fruit of humility and a clear conscience. This is the high road for you and for us. I look forward to seeing your work again in the future. I will recognize it when it rings of competition fused with neighborly love.
Until then, peace be with you.
Photo by Dave Hogg. |
"[G]ood advertising leads the viewer to think the thoughts they want them to think.
That’s what happened to the people of Troy, Michigan. As a vote for a tax increase to keep their public library open drew near, citizens became aware of a group called Safeguarding American Families (SAFE) that was against the tax increase. In anticipation of the tax’s defeat, SAFE planned a little post-election celebration: a book burning. SAFE promoted the book burning around town using yard signs and social media.
News of the book burning spread, as did a fierce response by the citizens themselves. It was the talk of the town, neighbor calling upon neighbor to prevent the book burning.[it]."
by Sam Van Eman
Transcript of this recording:
Two years ago, we bought a foreclosed home. The loan stipulated that we finish the upstairs bathroom which previous owners must have started but couldn’t afford to finish before being evicted. It was all studs, insulation, and exposed plumbing, and I argued that we didn't need to finish it yet since we had another one downstairs. I promised to take on the project myself, but the bank didn't budge. So we compiled a list of item numbers and paid a contractor to finish the job.
It's been two years, and we've never really used the downstairs bathroom I originally claimed would be sufficient. Turns out that except for a few emergencies, it served better as a tool storage for current projects. My wife was right: It really was a mess.
Last week, with tax return in hand and help from a friend who knows more than I do, I began gutting what had become the tool storage. I checked off his to-do list, even squeezing under the crawlspace for inspection and digging (By the way, a cubic yard of dirt is a lot to move while lying on your back in the dark).
Every trip to both local and box stores, I bought supplies based on what caught my attention from the shelf. Not willy-nilly decisions, but reasonable decisions. Products complement each other so well that if I saw an item on sale, I could pack it into the cart and take it home, knowing I'd find its match later.
Then yesterday evening, after comparing prices of what seemed to be rather different items, a reflection drew me out of the shopping trance. I realized that these items were not rather different at all; in fact, they demonstrated such a lack of creative variety that they suddenly appeared quite the same. I thought about the toilet, and then the shower fixture, and then the sink, and mirror, the light and fan, and all of it together appeared in my mind like every other bathroom of every other person who has a Lowe's within driving distance of their house.
Part of the problem lies with building code, which isn't too different than, say, car design. Just as you can only do so much with a side-mirror or a bumper before you risk driver safety, regulations for plumbing and electricity behind the scene influence aesthetics right in front of you. Certainly color and shape vary, but the stipulations are strict and the freedom, little, especially for the vast majority who can't afford gross distinction. Still, I ask, Why am I limited to few real options? Am I actually limited? And what convinced me to see the array of selections as more different than similar in the first place?
It's like a kind of shopping socialism had taken over and I was suddenly aware of its tight fit.
The project will move forward. It has to. I'm looking forward to problem-solving and installation—activities which make me appreciate being human. But now I feel tied. No matter how I’d like to escape cultural bounds, every member in my family views the world in their own shaped way, which means I can't simply claim the entire vote for what gets installed and what doesn't. I have to consider their aesthetic wishes too.
And even if they agreed to my requests, I'm still left with the effects of social influence. I want what others have. When Lowe's sells a product that I swear I've seen in a wealthy home, I feel drawn to the suggestion of elevated importance. When the cheap items are listed as "Basic" or "Our Most Popular Model," I feel poor and want to be above the tier of consumers who look for those items. (Design doesn't happen in a vacuum, after all.)
But here I am in the aisle, alerted by the trance and asking myself a perplexing question: How would this bathroom look if I could build it outside of the cultural parameters currently guiding my opinions?
I really don't know. Unless I've traveled abroad, or, conversely, grown up in isolation, contrast is hard to find. Innovation is difficult to consider. This fact reminds me of a former Disney employee whose boss said, "We purchased some land, build something." The employee replied, "You mean, like a theme park?" to which his boss replied, "Whatever you'd like." The employee's reaction was limited to what he already knew. He had to be given permission to think beyond it.
I don’t have the money for gross distinction, or even for sliding down the aisle past Basic in most cases. So I want permission. I could go with Our Most Popular Model and let someone else—the entire middle class, in fact—determine how to decorate our home, but I want permission. I feel alive when I create. I feel emboldened, empowered. Human. That's a spirituality I can enjoy—walking in the footsteps of the Creator.
Image by Mikko Saari. |
"In between the dozens of drafts and the time their magnum opus hits the printer, some authors get cold feet. They feel it’s still an important book, but suddenly, to spread the word about it through a publicity campaign would be disingenuous. Suddenly, it’s not God’s message, but 'self-promotion.' They feel more comfortable in the high art of the writing process, and want to leave the 'dirty work' of promotion to me.
I count it my professional privilege to debunk this illusion. I understand that when you’ve poured so much of yourself into a work, it becomes harder to discern the lines between yourself and your art, and easier to equate book promotion with self-promotion. But these don’t have to be one and the same. What often makes the difference is our motives: Are we serving ourselves, or are we serving an idea that we believe will influence lives for the better?"READ MORE about Stephanie's philosophy in Everything Matters: Book Publicity as a Cultural Act.
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My new iPad contains several dozen worlds. There’s a boy’s bed where little wind-up robots protect him from scary dinosaurs. There’s the Caribbean, where I get to sail, hoist the Jolly Roger, and relieve Spanish merchants of their sugar. There’s a fantasy kingdom under siege from hostile orcs and skeletons. And, of course, there are rooms of boxes, glass, and stones erected by pigs desperate to stave off assaults from irate avians.
While it is amazing that one digital device can be a doorway to so many imaginary places, not everyone is excited about this... (Read more here.)
by Sam Van Eman
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